What syllable are you seeking?

Vocalisimus, in the distances of sleep?

Speak it.

OK, so that out of the way. This is to share a potato-evoking live oak cutting board. It does not represent dream frontier long sought jewel, at least to my imagination.

The rough draft below. It’s live oak from Florida, a fallen down tree. The density is the noteworthy thing.

Next, each side with shaping, sanding (to 220 grit) and finishing (food safe tung oil and limonene) complete.

And lastly, deployed. Zooming in and examining you’ll notice that little cracks in the wood probably make it not ideal as a cutting board, hard to truly clean. Perhaps a cheese board, or perhaps just not to worry.

Just as in cooking, if you start with good ingredients and do little but let them speak for themselves, the result is positive and natural.

Bits approximating Haiku

Please do not confuse these with haiku, or art, or anything but what they seem to be. I’ll declare that sometimes the brevity of a 17 syllable expression attracts my muse – I mean, really, if you can’t get it across directly, you probably can’t get it across.

this pen does not write.
it spits at unwanted moments!
Out, into the trash!

The three that follow reach back a ways, yet each reappears in my reflection now and again.

slow thaw, mists thicken
snow mass, quiet puddling
darkness – skunks emerge

How can I share the recurring moment? Spring is in the air but the great piles of snow that the plows have made, they are melting and giving off mists and puddles. Mists rise from them but also, and inevitably, there is a smell, a smell of skunks – and it comes from the fact that at such a time of year skunks also emerge from wherever they have been for the winter. These phenomena as so closely tied. Any magical realist would suspect a causal link, and surely, since skunks emerging cannot have retroactively produced piles of melting snow, it must be, it must essentially be, that melting piles of snow produce skunks. Post hoc ergo propter hoc! Squeal with the delight of insight! Ahegm. Yet still, when I see the mist and my feet are wet in the puddle and I smell the smell, I remember how hard it is to capture and share the truth.

I’ve taken my swings.
Now I behold the diamond,
empty in the sun

This one, desperately imperfect and personal, accepts the passing of my father. To have taken ones swings, in baseball talk, is to have had ones turn, to be done. Baseball was his passion and main metaphor. Being done, one might look at the empty field (a diamond), to reflect. Lo, it is empty. but here my imagination jumps, and I think of the emptiness of which Buddhist speak, emptiness as a feature of Reality which cannot be understood as a concept, nor can it be described in words. I think of being done and trying to understand what it is that has been done. I feel close to beholding a diamond. I am thankful for the warmth of the sun. As a haiku this is probably unintelligible, but at least as a personal reflection, it comes back to me.

As this tree rises
unquestioning to the sun
may I also rise

It’s a deep thing that I notice in trees, how it is that over the years they reach (towards the sun, toward some actualization of possibility, towards destiny), and how they reach at each moment, breathing the air and gathering water and nutrition from the earth, growing, how it is utterly unquestioning, this actualization. Utterly.

Good Morning dear reader. May you as well rise without question.

Table 4

This was so easy. A nice piece of cumaru. An old Singer treadle sewing machine base. Two pieces of 6/4 oak to offset to the proper height. Oak affixed to tabletop with dowels at slightly off right angles. Base attached to oak with 2.5 inch hex topped wood screws.

Corners traced from top of cookie tin. Edges rounded with a router. Finish is the usual – sanded to 220 grit, tung oil and limonene.

Now if only the treadle could be connected to a generator to supply power to the desk. Could be a fitness desk. For the moment though, it serves happily.

Box 20. Free flow

A story will be told, probably here, about a local bridge of doom. This is not that story.

You see, the floor in the pantry had begun to fall in because the beams beneath it, all save the one pictured, had at least partially rotted. The floor was three layers of wide planks. Those planks cried out that they still had life, that they were not ready for the fire. Sometimes one must go with the flow (probably more often than is often understood). In the kitchen, the trash bag had been domiciling in a cardboard box. The stage was set.

Of course no nails, as has been my method of box making. I cut the the corner runners from some scrap, glued and doweled them into place. I measured not once. I swizzled and re-swizzled, dithered and dithyrambed. In no time at all, and with a very innovative hinge, Box 20 emerged.

Note the irregular placement of the dowels. Their angles are also divergent. This is so that any particular whack/injury cannot call forth a systemic failure. As much as any given dowel may wish to surrender to a given force, it’s brethren will disagree. This is strength by non-alignment. I prattle.

Thar she is, finished with the usual tung oil and limonene. Smells awesome, if you like that smell. Of note, you should be able to see, above, that the hinge is of rope.

At first I wanted to make a classic dowel hinge. This requires a little bit more planning than the flow state usually affords – also, the pride (amount they stick out) of the protrusions on the lid was insufficient to get the drill bit aligned with the line of the would be wooden hinge. Scratch, scratch, scratch… what if the hinge were … not a straight line. Unthinkable! Or not.

An additional benefit of such a hinge is that it’s relatively unbreakable. Whereas, if a person were to casually sit on said trash box, a dowel hinge might break and cause considerable consternation. Not so the go with the flow rope hinge. Simplicity, benefit, joy.

Righteously recycled, deployed.

Sun

of a sort. Hard to say why. A post in front of the house once held a sign – I don’t know what the sign said, I was not here then, but clearly the post was meant to hold a sign. Words, oh unrighteous words, this is this and not that, as if words capture essence as opposed to suggestion. Wallace Stevens, even though he extends the idea to images, understood how little is left after fullest evisceration – “To-morrow when the sun, For all your images, Comes up as the sun, bull fire, Your images will have left No shadow to themselves”

So should I remove the post or put a sign there, and if a sign, what sign? For some time I dwelt on this. Unrelatedly I’d been looking at old farm equipment and found myself drawn to rotary hoe blades, the more tines the better – to me they had a sun-like sense, a spinning blazing sun-sense, a vague suggestion of the incomprehensible power of the sun. From this coincidence of musings my solution arose.

Rustoleum, of course, irony notwithstanding.

And then a tiny measure of endeavor, to bore a peg hole at the top of the post, to fashion a peg with a bulbous end, to affix the hoe sun to the post with the peg, to set it back in the ground.

Of course dust is the final outcome, but along the way, for a brief and shining set of moments, we make our gardens and pray that the sun grace them.

Survivors

Never exactly forgotten, yet long ago having lost their comparatively eminent places, behold the survivors!  Do click upon them, for they’d like that, and examine well their worn details.

I cannot escape remarking on the tropes from the Velveteen Rabbit here, that 1) “When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.” and 2) “It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby.  But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”.

In general, and probably here as well, I am against the notion that ‘real’ is a meaningful modifier of anything.  Real imitation.  Real imagination.  Real possibility.  Get Real!  I like a sense of the real which admits everything and excludes nothing, which focuses rather on the way in which things are real.  Your dreams are real – real dreams, that is, real in a different way than things you might touch.  It is not possessing the quality of reality which distinguishes them, rather the nature of their reality.  That said, the notion I think that Margery Williams is getting at, for scrupulous yet ruthless literalists as I can be, is some sort of fullest incarnation: physical, emotional, mental, perhaps even spiritual – standing in a very different place than the number 12 written in an equation, the plastic cap on a water bottle, or even a photograph.  It is in this regard that I will share some of what I know about these characters.

Sam the Monkey was bought for me by my Grandmother Alice in Queens Village on Long Island, New York on Jamaica Avenue near the fire station in 1965.  I was either late in my second year or early in my third.  The crusty gentleman who tended the convenience store while smoking his cigar took the monkey off the wall, away from his brethren, and bestowed him upon me.  This was my second doll/toy.  The first was a bear named Atlantus, though the circumstances of his becoming mine are beyond the reach of my memory.  Atlantus, also known as Atlantus Pantus, who was very much loved, would become a victim of the puppyhood of our first dog, Mandy.  She shredded him to bits when I was seven.

Some tale must be told of each.  Sam’s is the most formidable.  If you zoom in you will notice that one of his eyes is the sort that follows you.  This was very scary to me as a tike.  So scary, in fact, that whilst still sleeping in a crib that I removed one of them.  Much less scary then, for a while at least, until that monster that Nietzsche describes, the minotaur of conscience, gets a whiff of it.

Somewhere around the age of eight I had resolved to get Sam a new eye.  Stray eyes were in short supply, however, and I felt averse to calling attention to the whole matter.  We did have a young dog, however, perhaps the perfect foil in that she had a taste for stuffed animals.  My younger sister had a small yellow and orange stuffed whale.  Mysteriously that whale was visited by fatal injuries via the teeth of that beloved dog.  A sad matter all around, but one that made a spare eye available!  Now you know.  The minotaur has compelled me to write this. 

Around the same time, first grade I believe, I was not loving the process of education.  Handwriting, in particular, was torturous.  At the end of the school year I recall throwing my notebooks out the window of the school bus so as not to have to review with my parents the many helpful criticisms they contained.  Surprisingly, though, there was a consolation.  That very day this gingerbread man, who came to be known as King James, was given to me by my mother.  Briefly I imagined that all was right and that the whole school business was a terrible mistake.  Sadly, that wasn’t the case but King James stood thereafter as significant consolation in a desolate time.

Things got better.  Crabby was supposedly made of dura-plastic and infallible rubber (of course he was plush).  Cosmic justice (meaning I had NOTHING to do with it) eventually cost him his eyes.  That dog Mandy. 

Scrappy I made from a pair of outgrown pajamas.  Noteworthy is that inside his head is another head, full on with its own eyes and mouth and nose.  Why this design was enacted I do not know, but it seemed a cool feature at the time, illustrating that all may not be as it appears.  Scrap’s entertainment value as rather as a jester.  If you threw him he would land in the most god-awful poses, suggesting terrible injuries.  Unperturbed, however, Scrappy was resiliently happy. 

In early adulthood, in the same year I think, two others joined, both found on the street. Not depicted because he went to the beyond place that dogs bring toys to, Pythagoras the stuffed bunny rabbit warranted profound compassion.  Found face down in the street, his red eyes were scraped, abraded by the pavement.  Tire tracks.  He was a wise member of the crew of survivors, for perhaps a decade.  Only the other toys know his true story.

The wooden Pinocchio was also found on the street.  Being wooden, all presume he has fewer feelings.  Despite the bad reputation Pinocchio’s have of being untruthful, however, this one has made no misrepresentations – in fact, he’s made no representations at all.  One day, perhaps, or perhaps not.

These are the survivors. 

 

Simple Platform Bed

The goal here was to make a platform for a twin mattress Design goals of keeping it simple, having it be strong, minimum investment.

As such, starting with a 4 x 8 of of 5/8 inch plywood, cut down to the size of the mattress, and three hemlock 2 x 6, shown above cut, one hemlock 6 x 6, and a sheet of masonite. Below you can observe said 6 x 6 as well as the last pieces of 2 x 6 that gather the load.

To those load gathering cross pieces I affixed the very short looking legs. It’s a tall mattress, is why, the top of which I’d like to have at a height of 25 or so inches.

I’m not sure that it could bear an elephant – in fact, I’m sure it couldn’t – but it would be most uncommon human who could damage it under normal use.

So low, it seems, and terrifying in its simplicity. The chair and stools on the left stood in as saw horses with the help of various scraps.

Low and sleek. I did later cut off the corners, about 2 x 2 x the square root of eight, because the mattress has rounded corners and shin gashes are needless.

And there, you see now it’s the right height.

In humble service, less than $100, 100 yrs > MTBF < 1000 years, or something like that.

Yes, this bed apologizes for not being made before being photographed.

Sill

Here’s yet another. I think I need a new category called ‘Repairs’.

Have a close look at how sorely decayed that prior sill. Nigh on hazardous it was. The new one is a nice sturdy piece of red birch. I thought that the piece might be partially under the sides and a pain to extract/insert, but nay, and I know, I should have painted it before I affixed the rubber tread.

The trim on the doorjambs could use a little work too, but functionality first. I must say that too little thought went into this. The sill was spongy and looking to break. Now, when I look up birch on the fabulous wood database, I discover it says of birch “Birch is perishable, and will readily rot and decay if exposed to the elements. The wood is also susceptible to insect attack”. Seems I’m led to believe that I’ll be revisiting this.

Plane Disarray Addressed

When things are in plain disarray, action needs be taken. This can be held to be self-evident. When planes are in plain disarray, the mind may be boggled. Consider how boggling this disarray:

The movement from disorder to order is, excepting the order created by life itself, unnatural. Monkeys, myself included, are guileful. This mess you see, really it is an avalanche waiting to happen, an avalanche that will demand the subsequent reorganization of its components. Had a marginally more stable chaos been created it might have persisted for far too long.

Thus, and unfortunately I have no picture, one day in early April, perhaps a loud noise, or even the footfall of a tiny mouse, and down came a tumbling, a plain plane chaos. This was all the stimulus I needed to create order, as avalanches, cascading layers of increasing disorder, are mostly an anathema to world-builders.

Take joy, for all is not lost. Light, if need be, the highest candle. Where there was chaos, let there be order. Lions sleep tonight.

Mouse

Bold was he, as I sat at my desk. Right up to my foot he walked, seemingly oblivious. I had to tap my foot to get his attention or I think he would have climbed right onto my slipper. That would have been ok but I thought to spare us any ensuing chaos.

He retreated with no special haste into the foyer. I followed and sat down on the floor to introduce myself. He seemed to have almost no fear.

Towards the end of our conversation, after praising his courage, I informed him that he’d need to get into a box that I would provide, that I would be putting him outside, that in a perfect world I would gladly allow him to make himself at home but that this world was not so constructed. I went to get the box.

When I got back he had hidden under the radiator. I asked him to come out and get in the box. He demurred. Gently with a piece of paper I coaxed him from under the radiator, hoping he’d see the box as safety. Alas. He saw my office as safety, in the corner by the bookcase. Little did he know that he may as well as climbed into the box. I took another piece of paper and made, as it were, a three sided box canyon and then placed the actual box on the fourth side. Then, just as in those movies where the protagonists are caught in a room where one of the walls is slowly moving toward its opposite, so that they will clearly be crushed, I moved the paper wall slowly.

Being a smart mouse he read the situation perfectly and ran into the box. Not as smart as a vole, I daresay, who would have seen that the paper wall was no wall at all, but I was not giving off a very predatory vibe and maybe he was just rolling with it.

I gave him one more talking to, about where he would be going (under the barn), about expectations, about what he should tell his friends and family. I underlined that I had nothing but the strongest positive wishes him and his. This was in April of the year 2020.